Shreya's Treasures

GOING TO MEET THE MAN JAMES BALDWIN GENRE : SHORT STORY, FICTION FIRST PUBLISHED :  1965 It was indeed a great risk for Baldwin, an African - American author, to insinuate himself into the mind of a character of a different race - a political risk as a writer. He explores - from the inside - a character who is a southern white racist, Jesse. The story is a bold statement that transcends the festering sore of racism on the face of American history and cries out for the reader to examine all of the values which he or she subscribes to and to honestly appraise the foundations on which these beliefs have been constructed. We see how the novel begins with Jesse, a police officer, and his wife in bed. It seems Jesse is impotent. Blaming tiredness and heavy work for this, his wife goes off to sleep but Jesse moves into a recollection of his day's affairs with a black man, who "had caused them much trouble".  The narrative is in the form of flashbacks and soon enough

THE GREAT GATSBY GENRE : SATIRE, TRAGEDY, BIOGRAPHICAL FICTION F. SCOTT. FITZGERALD FIRST PUBLISHED : 1925 "This is a valley of ashes — a fantastic farm where ashes grow like wheat into ridges and hills and grotesque gardens; where ashes take the forms of houses and chimneys and rising smoke and, finally, with a transcendent effort, of men who move dimly and already crumbling through the powdery air." The Great Gatsby, The Great American Novel, is F Scott Fitzgerald's ultra-modernist novel about jazz-age America. The novel tells the tragic story of Jay Gatsby, a self-made millionaire, and his pursuit of Daisy, a wealthy young woman whom he loved in his youth, which ultimately led to his own destruction. It's highly unreliable protagonist is Nick Carraway, who recounts his story of the two years he spent with Gatsby. Almost 90 years later after its publish, The Great Gatsby is regularly named one of the greatest novels ever written in English, and has annu

JANE EYRE CHARLOTTE BRONTË GENRE : BILDUNGSROMAN, GOTHIC FICTION, ROMANCE NOVEL FIRST PUBLISHED : 1847 “I remembered that the real world was wide, and that a varied field of hopes and fears, of sensations and excitements, awaited those who had the courage to go forth into it’s expanse, to seek real knowledge of life amidst it’s perils.”   -- Jane Eyre. Brontë's iconic novel of 1847, Jane Eyre, is subtitled ‘An Autobiography’. It is an example of a Bildungsroman: a work that traces the education and development of its heroine, and follows her journey through life. The text combines realism with fairy tale and Gothic motifs.  During the Victorian era the ideal woman's life revolved around the domestic sphere of her family and the home. Middle class women were brought up to “be pure and innocent, tender and sexually undemanding, submissive and obedient”. A woman had no rights of her own and; she was expected to marry and become the servant of her husband. Few profession

THE SWIMMER JOHN CHEEVER GENRE : ALLEGORICAL FICTION  FIRST PUBLISHED : 1964 “A masterpiece of mystery, language and sorrow. It starts out, on a perfect summer morning, as the record of a splendid exploit... and ends up as a kind of ghost story.” — Michael Chabon on The Swimmer Cheever, "the Chekhov of the suburbs", wrote this story when alcohol had started to take over him in his early fifties. A masterful blend of fantasy and reality, it chronicles a middle-aged man’s gradual acceptance of the truth that he has avoided facing—that his life is in ruins. The story immediately became an object of fascination in literary circles for its surprising blend of realism and surrealism and the emotional punch it delivers. Neddy Merrill "Ned", a man with the “vague and modest idea of himself as a legendary figure”, one day inexplicably decides to “swim home” via a trail of his neighbours’ pools. The people he interacts with on this bizarre odyssey include former l

A VERY OLD MAN WITH ENORMOUS WINGS GENRE : MAGICAL REALISM, FICTION GABRIEL GARCÍA MÁRQUEZ  FIRST PUBLISHED : 1955 “A Very Old Man with Enormous Wings” was first published in the pages of the New American Review (1955), much before the majority of his work and twelve years before One Hundred Years of Solitude, probably the most familiar of his stories. What we have here is a children’s story about a place warped by sadness and visited by a distressed, lost Daedalus. Yet its vibrant colour is all its own. It is a story deeply overlapping the febrile plenitude of fiction’s strangeness and the complex relationship we, as humans, have with each other. Like so much of Márquez’s writing the story aches with a luxurious language of sadness and beauty.  "He had to go very close to see that it was an old man, a very old man, lying face down in the mud, who, in spite of his tremendous efforts, couldn’t get up, impeded by his enormous wings” We are introduced to a world where Pel

BLACK SWAN DIRECTED : DARREN ARONOFSKY RELEASED : 2010 Black Swan is a cracking psychological melodrama and an artistic masterpiece. At its centre is young ballerina Nina Sayers, played by Natalie Portman. She is beautiful, vulnerable, sexually naive and susceptible to mental illness. To play the role of a lifetime, Nina must delve deep into her own dark side. As her hallucinations and anxiety attacks escalate with her progress in rehearsal, artistic break-through fuses with nervous breakdown. This is a movie about fear of ones body, fear of being supplanted in the affections of a powerful man, love of perfection, love of dance, and perhaps most importantly of all, passionate hatred for ones mother. Nina, constantly striving for perfection, lives with her controlling mother who gave up dance to have her daughter. They live in a tiny New York City apartment. When the ballet's director decides to replace the aging prime ballerina for the new season production of "Swan

THE YELLOW WALLPAPER CHARLOTTE PERKINS GILMAN FIRST PUBLISHED : 1892 “ The Yellow Wallpaper” is a short story about a woman, written in a diary form, who has a mental illness but cannot heal due to her husband’s lack of belief. We here get inside the mind of a troubled lady who soon enters a state of madness. "I think sometimes that if I were only well enough to write_ a little it would relieve the press of ideas and rest me.But I find I get pretty tired when I try.It is so discouraging not to have any advice and companionship about my work."  The use of imagery and setting helps illustrate this theme throughout the story. The setting of the vast colonial mansion and particularly the nursery room with barred windows provides an image of loneliness and seclusion experienced by the protagonist. The way the wallpaper of the room is described throughout the story fills the reader with a sense of eeriness. "The color is repellent, almost revolting ; a smoldering

CALL ME BY YOUR NAME RELEASED : 2017 DIRECTOR :  LUCA GUADAGNINO                                           "Is it better to speak or die?" “Call Me by Your Name,” begins in the summer of 1983, in a place so enchanted, that it belongs in a fairy tale. The location, the opening credits tell us, is “Somewhere in Northern Italy.” Such vagueness is deliberate: the point of a paradise is that it could exist anywhere but that, once you reach the place, you never forget it. Thus it is that a young American named Oliver (Armie Hammer) arrives, dopey with jet lag, at the house of his Professor Mr Perlman (Michael Stuhlbarg) and his wife (Amira Casar). “We’ll have to put up with him for six long weeks,” Annella says, with a sigh. Well, not long enough, as it turns out. One can pack a whole lifetime into these six weeks. The first words of the film are “The Usurper” , uttered by the Perlmans’  son, Elio (Timothée Chalamet), who is seventeen, a music prodigy and a voracious re